I think daddy issues can be likened to an original sin. That is, wherever or whenever it first began, a vicious cycle has since spiraled unavoidably from it.
The anecdotal evidence is often astonishing. It's almost as if it's possible to trace every unexplainable esteem-related quirk to one's father's involvement in his or her developmental years.
The issues often appear to weigh heavier on the female side of the story. John Mayer even wrote the song Daughters to lament about the problem. There are enough implications in both folklore and psychology academia to suggest that any wayward upbringing on the father's part has considerable repercussions on the developmental state of his little girl, many of which are irreversible.
Some other sources suggest too that sons aren't spared. In The Game, Mystery's esteem problems are linked to his father's violent role as head of the family. Recent psychology research, particularly inclined towards the evolutionary side, has found more support for parenting problems linked to the father than the mother.
But whatever it is, and whichever gender daddy issues afflict more, the quality of a man's role as a father undoubtedly plays a significant part in the building of a child's personality, character and esteem. And given the dismal track record of men for being responsible, it doesn't come as a surprise that so many people face daddy issues, who will later go on to perpetuate their own daddy issues on their children.
Evolutionary psychology would assert that paternity uncertainty is a reason for a male's tendency to be less interested in child-rearing. Men are also not equipped with maternal instinct, which is such a strong mechanism that motivates women to care for their children, regardless of their own conditions, states of mind or even age. Maternal instinct has probably served to ensure that women will rise above the occasion no matter what to meet the needs of their children.
And on the whole, men tend to be more anti-social and avoidant. To date, I know of very few fathers who demonstrate love, even if they really love their kids very much. Males simply find it tough to put aside their prides and egos. Many a family has been destroyed by a man's inability to accept that he is wrong. A common consequence is the man's avoidance of the issue, a refusal to share the burdens of the problem or even admit his incompetence, which often leads to alcoholism and domestic violence. As one author put it quite succinctly, men would rather be respected than loved.
Girls with daddy issues have problems dealing with relationship issues that range from sex and commitment to insecurity. Boys with daddy issues often find it difficult to remove the negative parts of their fathers when dealing with their own future families, or the world at large, eventually becoming the men they resented when growing up. A theme is apparently consistent - the father figure is possibly a significant model that aids the child in nurturing his or her understanding of the world so that he or she may better navigate it. It could be akin to the developmental psychological process of imprinting. At a tender age where the world is a blur, it comes as no surprise that children desperately seek to replicate the behaviours of worthy role models. We could be evolutionarily adapted to turn particularly to our fathers to program our understanding of the world, or it could be some other reason.
Regardless, daddy issues thus get perpetuated. By seeking the same kind of men their fathers were, women will resume the cycle by giving their kids the same 'bad' dads. By turning into their fathers, men will resume the cycle by being 'bad' dads.
Here's an excerpt from The Game that drives home the point lucidly for women:
"For most of their childhood, females are conditioned to act subservient to male authority figures. Once they grow up, a certain subset of them ... move through the world psychologically stunted, constantly dumbing themselves down in the presence of the opposite sex. They believe that the techniques they used to manipulate their fathers will work just as well on the rest of the world, and often they're right."
As for the male side of the story, how Mystery resented his dad so much but eventually became him was also well plotted out. His father was an aggressive man who often resorted to violence to get his way. Mystery built his worldview around that, whether he knew it or not.
So guys, think carefully about whether you're ready before you start that family - more likely than not, the family you start will be a world of your own doing where the fate of its inhabitants is at mercy.
Showing posts with label esteem. Show all posts
Showing posts with label esteem. Show all posts
Wednesday, 14 July 2010
Friday, 22 February 2008
If She Gets Nowhere In Life...
At least she knows she's pretty.
I really like these lines from the song Straw Dog by Something Corporate. At first glance, it sounds somewhat sad in a trifling way as she only has a very perishable quality; it's the one thing she's good at, and good looks don't last.
But on further thought, it actually really is a warming and empowering thing to know of; that the girl is able to come to terms with her predicament of not getting anywhere in life and acknowledges the fact that she is still pretty nonetheless.
To begin with, consider the esteem problems that virtually every girl faces. Deep down inside, no girl thinks she's pretty enough, and I think this afflicts even the prettiest and the most egoistic of girls. Regardless of whether it is because of the media-portrayed unattainable ideal beauty of a woman or a fundamental biological issue due to the emotional and perfectionistic nature of girls in this aspect, every normal, average girl seems to have some degree of insecurity about the way she looks.
'At least she knows she's pretty', then, is a celebration of the girl who has come to terms with her insecurities and accepts that she is pretty. Or pretty enough. That is more than anyone can really ask for I guess. Prettiness may be superficial, but here's her clincher - so what if it is? Strong indeed is the girl who can acknowledge her prettiness (or beauty), whether she really is or not. Such a girl has truly come to terms with her feminine propensity.
To dig further, the 'if she gets nowhere in life'-line represents the idea that we all must get somewhere in life and this 'place' of destiny is often not self-defined, but rather ascertained by society in the forms of a job, an education or a husband. Or looks, as the media, amongst other socially-reinforcing means, deems fit.
This part of the lyric is about chasing after a societal benchmark and then falling short of it. Here, then, we celebrate the girl who doesn't let the all too familiar criticism get to her head and instead revels in the self awareness that she's 'pretty'.
And by 'pretty', this could mean every single trifling, frivolous quality she has, such as a liking for flowers, a great voice for singing, some graceful dancing feet and other passions she owns that society tries to suppress by telling her that she naturally ain't good at math in school, to get a real job or find a typical man for a husband. When at least she knows she's pretty, at least she knows that she has passions and as long as her heart is open, she will get somewhere someday.
This is still a very optimistic interpretation and I may be criticised for that, but that's how I'd see it beyond the typical sadness of having only to rely on a very transient and temporal quality when you haven't lived up to society's yardsticks.
And boy, I'd toast my heart out to any girl with the innocence and courage like that.
Staring into the intersection, she thinks that she can fly and she might
Holding on in a new direction, she's gonna try it tonight
The closer I get to feeling, the further that I'm feeling from alright
The more I step into the sun, the more I step out of the light
Jessica is covered in a blanket on a Sunday porch
Thinking of weekends she would party in the city
She doesn't have a flame, she'd prefer to burn out like a torch
If she gets nowhere in life, at least she know's she pretty
She said, "Hey, now, the straw dog's out in the street
Hey now, there's chemicals in the clouds
Hey now, they're calling the police
They won't get to us, anyhow."
The moon is shining now and shadows are what's left of all the noise
Simple silhouettes and cutouts as if we had the choice
He listens closely now, swears that he can hear a voice
That's calling him
And saying, "Hey, now, the straw dog's out in the street
Hey now, there's chemicals in the clouds
Hey now, they're calling the police
They won't get to us, anyhow."
What does it take to be a superhero in our world?
Make no mistake that these villains always get the girl
We can escape, and then we'd skate away from all of this
And no one ever does.
She's saying "Hey, now, the straw dog's out in the street
Hey now, there's chemicals in the clouds
Hey now, they're calling the police
They won't get to us, anyhow."
Straw Dog
Something Corporate
On the lyrics, SoCo says, "that actually comes back to that book I was telling you about, the 'Dao De Jing', it’s a reference from that book. A 'straw dog' is like this ceremonial figure in some, I’m going to really fuck this up, but in some eastern culture it’s almost how a crucifix is looked at in Christianity. The only difference is after it’s one of the most respected thing in their ceremonies, they trash it out in the street, they beat it up and disregard it."
"To me that was kind of a pretty decent statement about the way youth is treated in America. Like everybody says that they’re our future and most important thing in the world. Then you see the way that teachers and police and everybody treat them, they kind of treat them like shit even though they supposedly the most honored thing in the world. That’s kind of like my take on it."
"It’s not anything I would ever expect anybody to decipher, it’s like the most senseless babble. To me writing was never more of an inventing type thing. If I can’t relate to it on personal level then it’s bullshit to me anyway, so it ends up being more specific than general."
Marriage is a three ring circus: engagement ring, wedding ring, and suffering.
Audio Candy:
Buckcherry - Sorry
I really like these lines from the song Straw Dog by Something Corporate. At first glance, it sounds somewhat sad in a trifling way as she only has a very perishable quality; it's the one thing she's good at, and good looks don't last.
But on further thought, it actually really is a warming and empowering thing to know of; that the girl is able to come to terms with her predicament of not getting anywhere in life and acknowledges the fact that she is still pretty nonetheless.
To begin with, consider the esteem problems that virtually every girl faces. Deep down inside, no girl thinks she's pretty enough, and I think this afflicts even the prettiest and the most egoistic of girls. Regardless of whether it is because of the media-portrayed unattainable ideal beauty of a woman or a fundamental biological issue due to the emotional and perfectionistic nature of girls in this aspect, every normal, average girl seems to have some degree of insecurity about the way she looks.
'At least she knows she's pretty', then, is a celebration of the girl who has come to terms with her insecurities and accepts that she is pretty. Or pretty enough. That is more than anyone can really ask for I guess. Prettiness may be superficial, but here's her clincher - so what if it is? Strong indeed is the girl who can acknowledge her prettiness (or beauty), whether she really is or not. Such a girl has truly come to terms with her feminine propensity.
To dig further, the 'if she gets nowhere in life'-line represents the idea that we all must get somewhere in life and this 'place' of destiny is often not self-defined, but rather ascertained by society in the forms of a job, an education or a husband. Or looks, as the media, amongst other socially-reinforcing means, deems fit.
This part of the lyric is about chasing after a societal benchmark and then falling short of it. Here, then, we celebrate the girl who doesn't let the all too familiar criticism get to her head and instead revels in the self awareness that she's 'pretty'.
And by 'pretty', this could mean every single trifling, frivolous quality she has, such as a liking for flowers, a great voice for singing, some graceful dancing feet and other passions she owns that society tries to suppress by telling her that she naturally ain't good at math in school, to get a real job or find a typical man for a husband. When at least she knows she's pretty, at least she knows that she has passions and as long as her heart is open, she will get somewhere someday.
This is still a very optimistic interpretation and I may be criticised for that, but that's how I'd see it beyond the typical sadness of having only to rely on a very transient and temporal quality when you haven't lived up to society's yardsticks.
And boy, I'd toast my heart out to any girl with the innocence and courage like that.
Staring into the intersection, she thinks that she can fly and she might
Holding on in a new direction, she's gonna try it tonight
The closer I get to feeling, the further that I'm feeling from alright
The more I step into the sun, the more I step out of the light
Jessica is covered in a blanket on a Sunday porch
Thinking of weekends she would party in the city
She doesn't have a flame, she'd prefer to burn out like a torch
If she gets nowhere in life, at least she know's she pretty
She said, "Hey, now, the straw dog's out in the street
Hey now, there's chemicals in the clouds
Hey now, they're calling the police
They won't get to us, anyhow."
The moon is shining now and shadows are what's left of all the noise
Simple silhouettes and cutouts as if we had the choice
He listens closely now, swears that he can hear a voice
That's calling him
And saying, "Hey, now, the straw dog's out in the street
Hey now, there's chemicals in the clouds
Hey now, they're calling the police
They won't get to us, anyhow."
What does it take to be a superhero in our world?
Make no mistake that these villains always get the girl
We can escape, and then we'd skate away from all of this
And no one ever does.
She's saying "Hey, now, the straw dog's out in the street
Hey now, there's chemicals in the clouds
Hey now, they're calling the police
They won't get to us, anyhow."
Straw Dog
Something Corporate
On the lyrics, SoCo says, "that actually comes back to that book I was telling you about, the 'Dao De Jing', it’s a reference from that book. A 'straw dog' is like this ceremonial figure in some, I’m going to really fuck this up, but in some eastern culture it’s almost how a crucifix is looked at in Christianity. The only difference is after it’s one of the most respected thing in their ceremonies, they trash it out in the street, they beat it up and disregard it."
"To me that was kind of a pretty decent statement about the way youth is treated in America. Like everybody says that they’re our future and most important thing in the world. Then you see the way that teachers and police and everybody treat them, they kind of treat them like shit even though they supposedly the most honored thing in the world. That’s kind of like my take on it."
"It’s not anything I would ever expect anybody to decipher, it’s like the most senseless babble. To me writing was never more of an inventing type thing. If I can’t relate to it on personal level then it’s bullshit to me anyway, so it ends up being more specific than general."
Marriage is a three ring circus: engagement ring, wedding ring, and suffering.
Audio Candy:
Buckcherry - Sorry
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